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And thank you for choosing Yamaha. You are now the proud owner of the AN1x Control Synthesizer, a fully-professional digital keyboard with powerful sound and versatile real-time control features.

The AN1x is a modern music dynamo capable of faithfully delivering the warm, fat, punchy sounds of the legendary analog synths—with the same familiar oscillator, filter and other sound creation elements and intuitive, “hands on” Arpeggiator and Step Sequencer for generating pattern loops at the press of a key.

With the AN1x, a voice is a configuration of all tone generator and other parameter settings, including effects setups and data for a single Voice Pattern, but excluding system settings or the bank of Step Sequencer User Patterns. For more information, see page Using The Controllers The AN1x has various on-board controllers which let you control specific parameters in real-time as you play.

Besides keyboard Initial and After Touch, these include For information about the Step Sequencer, see page There are eight different groups of parameters assigned to the knobs at the factory. These let you edit the tone generator parameters as printed on the panel beside each knob. For more information about controllers, see Using The Control Features, page Depending on how different each Scene is, a considerable number of parameters may get changed simultaneously as you do the cross-fade.

As such, you have an enormous palette of sound textures available which you can apply in real-time as you play.

The sound is determined by the data of the currently selected Scene. In this mode the AN1x plays with maximum 10 notes polyphony. AN1x creates and enhances sound, as well as how the various controls work to manipulate the many features.

For step-by-step examples of how to create specific types of voices, including analog synth classics like Synth Bass and Synth Brass, as well as traditional Electronic Organ and Electric Piano voices and more, see page For information about types of data stored in a voice, see page 9.

For information about Scene-related Store functions, see page Playing Arpeggiated Chords Trying out the various arpeggios is a lot of fun. Turn on the Arpeggio Hold function, play an even-numbered note chord, and see how the different pattern Types and Subdivide settings react.

Then play an odd-numbered note chord and repeat the process. Arpeggio Pattern Length The length of an AN1x arpeggio pattern is determined by three factors which work together simultaneously: Arpeggio Type, Arpeggio Subdivide setting, and the total number of notes you play for an arpeggiated chord. All patterns can be overwritten to store your own.

Lets you play the Voice Pattern of the currently selected voice at its base pitch from any key on the keyboard. You can play regular notes and chords across the keyboard while the sequence is looping.

Yamaha Corporation – AN1x – Owner’s Manual

Base Unit And Length The Base Unit parameter, together with the current Tempo setting see page 77 designates and completes the timing resolution for the sequence pattern. Step Sequencer Edit Creating your own Step Sequencer patterns is a simple and straightforward process.


First decide the Base Unit and Length for the sequence pattern. Lets you determine the note duration for the step.

Yamaha AN1x Owner’s Manual

Track Common Parameters Trigger: These functions work together to give you sophisticated expressive control over the sound of both the AN1x itself as well as any connected MIDI instruments.

Real-time Control The AN1x’s real-time controllers include all on-board For more information about each parameter, see the separate Data List book. For information about the procedure for assigning controllers, see page This section provides a list of the many AN1x parameters and a description of each for reference manuual.

Voice Select You can select a voice for play from among the voices in memory. For details, see Voice Store, page If you turn off the AN1x, or if the adaptor gets disconnected by accident, your edited data manuak still remain in memory when you turn the power back on. Always be sure to store important voice data. The following graph shows how the decay changes when a key is mankal if a positive PEG Decay value is set.

Port Time Portamento Time Portamento is an effect commonly used in singing or when playing a bowed instrument, where the sound is carried in a continuous glide from one note or more to the next, through all the intermediate pitches. The Portamento Time setting determines the time it takes for the pitch to reach the subsequent note played.

Sync parameters are related to the synchronization status of the two VCO1 oscillators master and slavewhich are the fundamental waveform generating elements in the AN1x. Too deep of a setting will change the pitch of the voice.

For more information about VCO1, see pages 10, In general, pulse width is used to control the pulse wave; however, the AN1x can use PW with other waves as well, for a wider possible variety of sounds than usual. The VCF is a filter which permits a specific range of frequencies to pass, while cutting off the rest, thus giving you considerable control over many aspects of the timbre.

For example, when the filter type is set to Low Pass Filter, the lower frequencies are passed while higher frequencies are cut off. Frequencies above the setting are passed while those below are cut off. Turning the knob to xn1x right increases the HPF Cutoff frequency, resulting in a brighter sound.

Level Cutoff range Range passed Filter Modulation adds a cyclical change to the filter cutoff frequency to create a wah effect. Turning the knob to the right widens the range of the an1z frequency change.

Sustain The Sustain setting determines the level of sustain of the AEG, which is the level at which the volume will be maintained for as long as a key is held. Turning the knob to the right increases the Sustain level. Amplitude Modulation adds a cyclical change mqnual the volume level to create a tremolo effect.

Turning the knob to the right widens the range of the volume change.

Yamaha AN1x Manuals

Includes Knob and Pattern parameters related to the Step Sequencer. Utility parameter manyal cannot be stored as voice data. For a blank chart of all available parameters which you can use when editing your own voices, see page For more mabual about Scenes, see page The Control Matrix gives you aan1x freedom to configure sources and parameters for each voice. You can, for example, configure the AN1x to use After Touch to apply vibrato, or the Modulation Wheel to change the resonance while you play, determine the range for both Pitch Bend up and down, and much more.


Convenient Parameter Control You can use the Control Matrix sets to assign a single controller to control more than one parameter, or multiple controllers to control the same parameter. Control Matrix, where it can be rerouted at will before reaching the internal tone generator. Layer Layer parameter settings apply to the selected Layer mode, and affect both Scenes.

These settings are stored as voice data. There are three janual, including Pan, Separate, and Unison Detune. For more information about Layer modes, see page The Pan parameter sets the type of stereo panning, or the way the sound moves between the left and right speakers. Arpeggiator and Step Sequencer play. Setting the Variation Effect 1.

There are two parameters available, Param Parameter and Data. The Delay and Reverb effects are located after the EQ output, and can be wn1x in series or parallel.

EF Bypass Effect Bypass Effect Bypass settings let you bypass specific effects, which is convenient when creating an original voice. Naming A Voice 1. LCD Category No category The Copy operation is completed. Arpeggiator and Step Sequencer parameter settings are voice data saved in each voice. The Arpeggiator lets you play arpeggiated chord patterns at the press of a key. There are 30 Arpeggiator patterns to choose from for each voice, and Arpeggio Subdivide plus Play Effect manuao give you a wide range of control and customization over the arpeggio pattern.

Since this setting is a system parameter, it cannot be stored as voice data, and therefore remains as set regardless of which voice is selected. Arpeggio Subdivide The Arpeggio Subdivide parameter lets you designate the timing subdivision resolution value for the Arpeggiator pattern. For information about timing resolution for the Step Sequencer, see pages 42, You can create a Voice Pattern manuql each voice, as well as create and store a total of User Patterns.

Step Sequencer settings are stored anx1 voice data. Pattern Pattern parameters let you designate which pattern to play by the Step Sequencer, as well as set timing resolution, sequence length, type of loop and event control number. Ann1x Unit The Base Unit parameter designates the timing resolution for the sequence pattern. This, together with the current Tempo setting see page 77determines the interval between steps. Therefore, it is best to set each to a different am1x number.

For information about MIDI, see page The type of data which can be received depends on the current mode. Change number as selected in step 2, above. Mode 1 is the manuak MIDI standard, which is set at the factory. Mode 2 is a special list of Control Change parameter settings unique to the AN1x. Voice Initialize The Voice Initialize function lets you “reset” a voice to its initial setting, which is handy when you want to create a voice from “scratch”.